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completes the programme and showcases Schubert’s lighter side
his contribution to the piano solo repertoire is of great significance
from the hopeful intimacy of Today to the shimmering expansiveness of I saw eternity
together with those published posthumously
pianist and composer Eugène Reuchsel
Schubert: Sonatas for Violin and Fortepiano, Op. 137 Scottish completes the programme and showcasesPeter Hanson (violin) Andrew Arthur (fortepiano) Schuberts three Sonatas for Violin and Fortepiano, Op. 137, may nod to Mozart in their delicacy, but their spirit is firmly rooted in the early Romantic imagination. Written in 1816, they seem to inhabit the intimate world of Lieder, where song like melodies and expressive dialogues between violin and piano take centre stage. Violinist Peter Hanson and fortepianist Andrew Arthur bring these works to
