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Joanne Robertson
driven by the pummeling duel bass attack that defines the band’s sound at that time
SAMSON takes the woulda/coulda/shoulda been big stars prize
It captures a fleeting moment when The dB’s should have become power-pop contenders
“Hell days
SUSPIRIA OST by Thom Yorke 2LP post-hardcore Joanne RobertsonHighly recommended. The soundtrack is better than the remake of the film. The album that keeps coming to mind when listening to this is not Goblin's soundtrack for the earlier Suspiria (even though there are some musical nods by Yorke) but Damon Albarn's score to Ravenous. The parallels between these two soundtracks are striking in many ways, both in terms of their background a British rock musician transitions to soundtrack composing for the first
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