EVERYDAY-EVERYMAN - Three Second Kiss LP post-punk What should have been a

What should have been a classic stiffed as one of rock ’n’ roll’s “could have been great

Delightfully warped

Pat Thomas career began in 1969 with the 'Broadway Dance Band'

raw and louder than everyone else

Vexovoid takes their artistry to new levels

EVERYDAY-EVERYMAN - Three Second Kiss LP post-punk What should have been aMid 90s noise rock of the style heralded by Steve Albini's Shellac. Which means sharp edges, raw and rattling guitar slashes, disassembled reassembled grooves. In a word: math rock. Engineered by Chicago punk veteran Iain Burgess (Big Black "Atomizer"), Everyday Everyman has a memorably corrosive sound: the guitars emit a rasping, wrecked jingle jangle, the drums are dry and convulsive, and the bass is as metallic as rust, as thundering as a roar. Two