Kalligrafie „Banzai“ (万歳) gemalter Kiefernzweig mit Schössling | Matsumura Goshun 松村呉春 | 1752-1811   Gold Byōdōin Temple in Uji

Byōdōin Temple in Uji

the Nichiren sect does not seek to fill ordinary believers with religious images or detailed texts

as well as repertoire pieces with a sporting character

This also means that with this art we are not moving in the spheres of the great schools of Kanō and Tosa

and the green foliage is elegantly grouped around the magnificent blossoms

Kalligrafie „Banzai“ (万歳) gemalter Kiefernzweig mit Schössling | Matsumura Goshun 松村呉春 | 1752-1811   Gold Byōdōin Temple in UjiMatsumura Goshun occupies a very important place in Japanese art history. He was a student and later a collaborator of the outstanding painter Maruyama ky (1733 1795). Together with him, he founded the Shij School in Kyoto, which shaped the aesthetics of painting in the old imperial capital throughout the 19th and early 20th centuries. Goshun is primarily known as a painter, but good painters were usually also excellent calligraphers. This calligraphy