Pfingstrosen | Kanō Tanyū 狩野探幽 | 1602-1674 Natur Shunkyō deserves a reassessment that

Shunkyō deserves a reassessment that does justice to his true position in Japanese art history

Yamamoto Shunkyō is one of those important artists of the early 20th century who enjoyed a wealthy clientele

The use of blinds (sudare)

den ich mag“ erfährt hier zu Beginn eine Erweiterung durch die Worte „Das Wolken-Tor sagt“

In the hall to the left of the garden

Pfingstrosen | Kanō Tanyū 狩野探幽 | 1602-1674 Natur Shunkyō deserves a reassessment thatThis peony painting clearly bears the signature and seal of Kan Tany, but since this master was one of the most sought after painters of the 17th century, he also had a large studio with many artists whom he trained and who were assigned tasks in large paintings. It is possible that collaborators were involved in this magnificent work. Nevertheless, much originality can be discovered in this painting. It features a very special composition that could