Robert Haigh - Human Remains Marcus Schmickler an ecstatic performance of Gordon’s

an ecstatic performance of Gordon’s “Machomusic” gives a single pitch the real Rock’n’Roll treatment

Part new album

routed through his own unique studies of obscure world musics

It’s simply (or rather fantastically messily) Carl Stone

originally recorded in 1954 by the Haitian-American guitarist Frantz Casseus

Robert Haigh - Human Remains Marcus Schmickler an ecstatic performance of Gordon’sHuman Remains follows Creatures of the Deep and Black Sarabande as the final installment of a trilogy of piano based recordings by Robert Haigh for Unseen Worlds marking the end of the late era of solo albums by Haigh, as he steps away from music production. The title, Human Remains, was initially based on a painting of the same name by Haigh that is suggestive of an ancient structure resolute in the wake of overwhelming forces. As a metaphor for our