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Records Ruin the Landscape John Cage, the Sixties, and Sound Recording - David Grubbs Melbourne School for Discontent Silver Press

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Silver Press

But it is the carefully developed ideas in these essays and the eccentric yet thorough scholarship that draws them together that are of particular interest today: the understanding of criminal slang in the Middle Ages

A collection of experimental texts

Childs—R

namely as a critique of Cartesian dualism’s separation of soul and body

Records Ruin the Landscape John Cage, the Sixties, and Sound Recording - David Grubbs Melbourne School for Discontent Silver PressJohn Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long duration minimalism, text scores, happenings, live electronic

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