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Like Stockhausen
The striking of a hammer is followed by the resonance of a string or strings
a "secret genius" who masked with humility and seeming conformity a profoundly innovative thorough-going critique of the limitations and pretensions of our High Culture as it has come down to us
"Two-part monologue" and "FINALE
From the time of his participation in the first performance of Satie's "Vexations" he realized that here was
Michael Vincent Waller - Moments Lawrence Weiner Like StockhausenIn essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments his third album, following
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