RESTING CARVER 10 and material into sculptures that

and material into sculptures that resonate with vitality and authenticity

I've made most of my landscapes from different views along the journey

Quinn James’s carvings are an excellent choice for collectors seeking authentic Indigenous artwork that carries forward generational knowledge

enthusiasm and naivete are a source of endless fascination – especially when the setting is a hauntingly beautiful prairie or foothills landscape

Drawing inspiration from fly-fishing

RESTING CARVER 10 and material into sculptures thatInuit graphics, including drawings and prints, represent a relatively recent but highly significant development in Arctic Indigenous art. Emerging in the mid 20th century with the establishment of the first print studio in Kinngait (Cape Dorset) in 1957, Inuit printmaking quickly became a vital form of cultural expression. Since then, annual print collections have showcased the creativity of Inuit artists, supported by galleries such as Canada House